Super dreamy, space-out piece from PH, which is reminicient of Peter Gabriel and Brian Eno's work. Trippy, chilled and surprises around every finitely a trip worth taking. Listening to this demo is a little like getting sucked inside the grooves on a weird old record. Ned takes us on a noise voyage through a few of the more unsettling sounds in the Omnisphere core library. Drift off to dreamland, courtesy of long-time Spectrasonics user and current rising star of electronic feature film scoring: Paul Haslinger. We've had numerous requests for some demos that were purely ambient with no beats, and this one fills that need perfectly. This one's definitely dark and scary, so you might want to turn the lights up! Here in this piece, you can hear some of how Diego's twisted mind works, as this is a brilliantly executed harmonic tone poem of bizarre elements. He created many of the strange and unusual source samples for the Ambiences in the core library, which Eric then used added to his mix in creating the patches. Beautiful and lush, with some clever ways of using Stylus RMX groove menus too.ĭiego is one of the primary sound design collaborators on Omnisphere. On this demo, you can really hear the influence of Paul's previous work from when he was a member of Tangerine Dream. It's a treat to have this moody Omnisphere track from Paul Haslinger, who has not only made some wonderful electronic solo albums, but is rapidly making his mark in Hollywood feature film score This music is based on a piece from Chris' band 'Idiot Bliss'. Most of the dynamics are coming from Chris use of the modwheel for filter crescendos and rhythmic accents. The demo is simple, but that's why it sounds so huge. All the textures are coming from Omnisphere, and the piece is augmented very nicely with Tob's own G-Town ambient percussion samples.Ī deep and spooky vibe that recalls Pink Floyd and Peter Gabriel's moodier moments. This is a short, dramatic demo of how rich Omnisphere can sound. The addition of the wordless vocal completes the imagery in a gorgeous and radiant way. The interlocking and interwoven bell and bass parts evoke Mike Oldfield's best work. Tob uses the RMX add-on cymbals to great effect here and most impressive is the use of Omnisphere for the Piano type sounds (especially considering Atmosphere doesn't HAVE ANY pianos!)įEATURES: Atmosphere, Stylus RMX and TrilianĪn exquisite piece from composer Maarten Spruijt, exploring the wide range of frequencies and colors available within Omnisphere. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.Ī gorgeous example of how Atmosphere and Stylus RMX can be used in Film Music cues.
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